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    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 39 results for Giampietro Zanotti
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Plate 2: cross-section of the Hall of the Institute of Bologna
Bartolomeo Crivellari
1756
Plate 3: cross-section of the Hall of the Institute of Bologna
Bartolomeo Crivellari
1756
Plate 1: cross-section of the Hall of the Institute of Bologna, which served as the residence for the Clementine Academy, with fresco paintings by Pellegrino Tibaldi in the vault
Bartolomeo Crivellari
1756
Plate 4: cross-section of the Hall of the Institute of Bologna, with the entrance to the room
Giovanni Battista Brustolon
1756
Minerva assisting Prometheus as he attempts to scale the heavens
Bartolomeo Crivellari
1756
Plate 22: two nude figures wearing veils
Bartolomeo Crivellari
1756
Plate 20: bearded figure, half clothed
Bartolomeo Crivellari
1756
Plate 21: two nude figures wearing veils, seen from behind
Bartolomeo Crivellari
1756
A standing man in a niche holding an open book
Bartolomeo Crivellari
1756
A standing man in a niche with his elbow resting on a column
Bartolomeo Crivellari
1756
Plate 15: mythological figure wearing a helmet and holding a shield
Bartolomeo Crivellari
1756
Plate 17: two nude figures wearing veils
Bartolomeo Crivellari
1756
Plate 25: a shipwreck
Bartolomeo Crivellari
1756
Plate 16: mythological figure holding a mirror
Bartolomeo Crivellari
1756
A standing man in a niche reaching forward with one arm
Bartolomeo Crivellari
1756
Three bearded men, one wearing fur
Bartolomeo Crivellari
1756
A standing man in a niche looking toward the left
Bartolomeo Crivellari
1756
Plate 19: figure seen from behind with left hand raised
Bartolomeo Crivellari
1756
Plate 18: two nude figures wearing veils, seen from behind
Bartolomeo Crivellari
1756
Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at left
Bartolomeo Crivellari
1756
Plate 27: Ulysses received by Alcinous king of Phoeacia and his Queen Areta after his shipwreck
Bartolomeo Crivellari
1756
Plate 6: Ulysses driving a burning stake into Polyphemus' eye
Bartolomeo Crivellari
1756
Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at left
Sebastiano Gamma
1756
Plate 8: Ulysses receiving the winds in a leather bag from Aeolus
Bartolomeo Crivellari
1756
Plate 24: Ulysses's companions stealing the oxen sacred to Apollo
Bartolomeo Crivellari
1756
Plate 40: the division of the elect from the reprobate
Bartolomeo Crivellari
1756
Plate 41: Saint John the Baptist preaching to a large crowd and baptizing children
Bartolomeo Crivellari
1756
Plate 26: Ulysses escaping on a raft with the aid of the sea deity Leucothea
Bartolomeo Crivellari
1756
Plate 10: Ulysses compelling Circe to restore his companions' human shapes, which she had changed into monsters
Bartolomeo Crivellari
1756
Plate 7: the blinded Polyphemus, guarding the entrance of his cavern, with Ulysses and his companions escaping below by covering themselves with ram skins
Bartolomeo Crivellari
1756
Plate 9: the Greeks opening the bag of wind, thinking there is gold inside, driving their vessel to the island of Circe
Bartolomeo Crivellari
1756
Plate 5: view of the ceiling with its ornaments and frescoed paintings
Bartolomeo Crivellari
1756
Charity
Carlo Cignani
ca. 1680
The Last Communion of Saint Mary of Egypt
Marcantonio Franceschini
1680
The Coronation of the Virgin
Annibale Carracci
after 1595
The Denial of Saint Peter
Ludovico Carracci
ca. 1616
The Immaculate Conception
Guido Reni
1627
Saint John the Baptist Bearing Witness
Annibale Carracci
ca. 1600
The Burial of Christ
Annibale Carracci
1595